The neoclassical style of this fine and rare corner cupboard is furthered by its architectural design. It features all the elements that a new building of the period might, with fluted pilasters, a dentilled cornice and a broken pediment centering a plinth for a bust or urn. In stylistic harmony, the frieze is inlaid with box-strung oval roundels, the central oval boasting the Prince of Wales’ feathers.

The sense of order is achieved by the tall proportions and panel mouldings on the doors. The front is veneered in well matched flame-figured mahogany, lending the piece occasion and drama. The elegance synonymous with this period is reflected in the blue-painted cabinet interior which, reminiscent of an Adam scheme, survives in a superb state of originality, representing a new age in interior decoration which emphasised comfort and a sense of lightness alongside strict use of ornamentation. 

The interior shelves are gently shaped and joined by Chinese trellace work, lending a similar cheerfulness. The drawers are also fronted in mahogany, though of a lesser grade, revealing the work of the cabinet-maker in saving the better quality, more expensive ‘showwoods’ for the exterior. 

A similar design for a standing corner cupboard with a broken pediment, fluted pilasters and panelled doors was penned by Gillows in 1787.¹ 

¹ Gillow Furniture Designs 1760 - 1800, ed. Lindsay Boynton (1995), fig. 173